While teaching both college and high school students, I have found nothing to electrify a classroom as much as the topic of chivalry, which I always introduce with the simple question, "Is chivalry dead?" The reasons for student interest are straightforward: young women are curious to see how men used to treat women in a more mannered and moral age, and young men, for their part, are painfully aware that in many respects they are less manly than their forefathers. These students have usually been given little instruction by their parents and teachers on what it means to be a man or a woman. Perhaps no other image, then, can appeal to them as much as the knight on horseback who will, for the sake of honor, fight any man, and still bow in deference to every lady.
And yet, the story of chivalry has not gotten out. Maurice Keen, Richard Barber, and Georges Duby have written excellent academic histories of chivalry, but these works are aimed at a scholarly audience and make no attempt to explore the relevance of chivalry for our own time. Medieval narratives, especially Malory's Le Morte d'Arthur, are often tough reading and Hollywood blockbusters like last summer's King Arthur or A Knight's Tale from a few years ago are utter disappointments. But now Brad Miner, an executive editor at Bookspan and former literary editor for National Review, has given us The Compleat Gentleman, an attempt to trace the chivalric tradition from medieval times to our own and to return contemporary manhood to its moorings in this gentlemanly tradition.
After the fall of the Roman Empire, lawless young men on horseback roamed the countryside in search of a fight. They threatened any semblance of order, and especially threatened women. Gradually, these young men became less dangerous by accepting the code of knighthood. They promised to display certain virtues: loyauté, prouesse, largesse, courtoisie, and franchise. In return, they might gain property by marrying the daughter of a lord. Or they might make a considerable fortune and win glory by testing their mettle in frequent tournaments. Miner offers interesting snapshots of the knight's training, the knighting ceremony, and tournaments. These last, in particular, were crucial to the development of chivalry, having "the dual virtues of providing both a means of testing a knight's prowess and of expiating his violent energies." And Miner reminds us that tournaments in the heyday of chivalry were not celebrated in the fashion of the confined jousts of either Scott's Ivanhoe or cinematic lore, but rather in the form of a mêlée, a massive battle lasting all day and often engaging hundreds or even thousands of knights. Injuries were frequent, and death was not uncommon.
While Miner offers the basic outlines of medieval chivalry, he fails to recount certain facts and anecdotes that might do more to win our hearts. For example, as courtly philosophy began increasingly to shape the ideal of knighthood, a knight could be barred from tournaments for any unchivalrous behavior, including deserting his lord in battle, destroying vineyards and cornfields, or repeating gossip about a lady. Can we imagine a sporting event today in which players who had "talked trash" about a girl would not be allowed on the field? Who would be left to play? Miner makes excellent observations on William Marshal, "the flower of chivalry," but most of his other character sketches amuse more than they impress. Other knights should have appeared in this book. Consider Maréchal Boucicaut who while in Genoa running the government of Charles VI, once bowed to two prostitutes, whom he did not know. His page said, "My lord, they are whores." Boucicaut responded, "I would rather have saluted ten whores than to have omitted saluting one respectable woman." Another good lesson for a culture that too often treats respectable women as "ho's."
Miner classifies the chivalrous man as part warrior, part lover, and part monk, and addresses each aspect of this ideal in separate chapters. A reformed pacifist who prefers his sons to be Galahads rather than Gandhis, Miner clearly sees that a post-September 11 America is no place for milquetoasts. We are living in a fallen world and bad men want to do bad things to us. We must be ready to respond in kind: "a gentleman really must face the reality of violence and not reject it, but like any warrior he will turn to violence only as a last resort."
The chapter on the lover is not nearly as inspiring. Miner does a good job of explaining how troubadours and assertive ladies with questionable sexual histories, such as Eleanor of Aquitaine, could establish the quasi-religion of courtly love. He is also forthright about the difficulty such love poses to all contemporary moralists who want to adopt chivalry as a model: knights and ladies were often adulterers, most famously Guinevere and Lancelot. But Miner never mentions Wolfram von Eschenbach, the 13th-century Bavarian knight who tried in his Parzival to reconcile courtly love with marriage. Nor does he say anything about the reforms of the 14th and 15th centuries, that sought to turn weak-willed knights into true gentlemen. And most curious of all, he ends a chapter about love with a discussion of women in combat. According to his rather strained logic, the true gentleman respects women and gives them what they want. If she is strong enough and willing, then today's "woman warrior" should be allowed to fight alongside today's chivalrous man.
Miner's treatment of the gentleman is likewise far from "compleat." He does relate the history of the gentleman, the successor to the knight, from the Renaissance onward, but unfortunately he sandwiches this chapter between his first chapter on the knight and his three chapters on the warrior, the lover, and the monk, which all return to medieval themes. As a result, he never shows any of the improvements or adjustments that the culture of the gentleman made on the original model, especially with regard to sexual mores. And too often he considers gentlemanly advice books as a true reflection of how actual men thought and acted. Such a selective use of sources is understandable for the Middle Ages, but the historical record is far richer in modern times. His handling of the 18th century is particularly lacking: he focuses on Lord Chesterfield's letters to his illegitimate son, a work which Miner himself tells us was considered by Samuel Johnson to "teach the morals of a whore, and the manners of a dancing master." Only by confusing the century of Washington and Hamilton and Burke with the letters of Chesterfield could one conclude that the "heroic aspect of the gentlemanly character would begin to be lost in the mystification of manners." Miner actually gives no more than a passing mention to America's greatest gentlemen, the Founding Fathers. And he seems to think little of manners generally. The muddled section on politesse hardly recommends good manners at all but instead insists, "nobody has better manners or finer suits or more skill in debate than the devil himself."
Finally, Miner overlooks one vital aspect of modern manliness altogether. His tripartite knight roughly corresponds to the medieval conception of the three orders in society: oratores (those who pray), bellatores (those who fight), and laborares (those who work). Yet he substitutes lovers for workers, leaving no place in his scheme for what most gentlemen do in modern times: work hard to provide for their families. Calling for a return to the warrior ethic in these times is certainly warranted. But in practical terms, not all of us can serve in the military. And as Adam Smith knew and American history has shown, an industrialized power firm in its will and purpose will always prevail over a less developed enemy.
Despite its flaws, Brad Miner's book is a good introduction to chivalry and one hopes it will inaugurate a rich discussion over the qualities of true manliness. For that, we owe him our courteous thanks.